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Homemade Gatorade

It is often said that the internet is a weird place, but truthfully, it’s only as weird as we, the people on it, are, and so there is always potential to bring that weirdness away with us. In Homemade Gatorade, writer/director Carter Amelia Davis chronicles a weird online interaction between two individuals and how it turns into an adventure in real life. Transcending simple weirdness, though, Davis’ unique style mixes humor with sharp social commentary, taking us on a wild and surprising adventure, too.

The premise is self-evidently absurd… a woman develops her own “creamy” version of Gatorade and, via forums and social media, desperately tries to find buyers for it online. Upon reflection, though, I was forced to question that absurdity—if there is one thing millennials have embraced with the internet, it’s the concept of unorthodox work. “There are so many people with side hustles and entrepreneurial aspirations right now”, Davis explained, describing some of her inspiration for the premise before adding, “…we hear a lot about the people who succeed, but what about those who fail?” Ultimately, we are meant to laugh, as the absurdity is fully embraced in both the writing and the visual aesthetic of the film, but there is something undeniably touching in the narrative, dare I say relatable, in the protagonist’s state of mind. “I wanted to make a film that could make people laugh but also reflect the horrifying reality of American life right now”, Davis confessed.

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Davis’ animation process: collage image compositions in Photoshop, then animate in After Effects. 

Homemade Gatorade is immediately unsettling but captivating— the epitome of a “you cannot look away” film. As we watch the protagonist go on her quest to deliver her goods to her first real-life customer, the question of success is not even what guides us; it’s the insanity of the online exchange that, personally, I wish could have lasted longer. Daniella Peterson voices the main protagonist, while Davis herself voices the iconic “Susie Gjhjjfjh”. The juxtaposition of their tones is brilliant, and greatly contributes to making the film’s hilarity… up until its surprising ending!

Mainly animated by Davis, with some additional 3D animation by VirtualMoth, the mix of distorted photo collage and live-action is a brilliantly distinct approach, matching the energy of the narrative and bringing a certain level of self-deprecation and that tell-tale “weird” feeling to the proceedings. This description from Davis’ bio is apt: “…her work should ideally make you laugh and feel like you need to take a shower or something.” Odd, but accurate! 

Homemade Gatorade premiered online on YouTube months ago; however, its recent selection at the 2026 Sundance put it on our radar, and now a promising festival run looks to take off with the film traveling to Regard in Quebec next. Davis is one of a constellation of exciting animators born and sustained on the internet for whom the festival world is a “nice” to have but not the be-all end-all. She maintains a successful Patreon and has also self-published a novel. Davis’ other films are also available online, and she is active on social media. With this level of hustle, Homemade Gatorade makes much more sense!

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SXSW 2026: A Shorts-Centric Guide

Today is Day 1 of the 2026 edition of SXSW Film & TV. The fest has expanded to editions in Sydney and London, but the OG in Austin commands our loyalty. While the festival is a couple of days shorter than it used to be, the line-up is still full of delicious dishes. As usual, the ones cooked by members of the Short of the Week family are those we are the most excited about! 

The sheer abundance of work that catches our eye, especially at this scale of fest, makes SXSW pretty much unmatched, and the announcement of the lineup is a highly anticipated event at S/W HQ. We’ve combed the listings to track names familiar to our shorts-loving audience, so if you’re looking for a starting point to build your watchlist, look no further!

Below is a list of all S/W alums with new films at the festival. An insane 17 directors featured on Short of the Week are bringing a new short to the festival! This includes fresh work from current Oscar® nominee Sam Davis, and from Alyssa Loh, whose prior SXSW short, Let, has been viewed 23M times on YouTube. 13 additional directors from our alum community are presenting a feature, including debuts from prior Short of the Year winner Graham Parkes, as well as Caleb J Phillips, whose short, Other Side of the Boxis a 7M view viral smash on YT. 

Shorts

This year, you will find in the shorts program 16 films that are directed by S/W alums! This record number obviously fills us with joy, with films in the Animation, Documentary, Narrative, and Texas competitions 

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Copy, Save by Alyssa Loh

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Imago by Ariel Zengotita

In The Beginning by Ala Nunu

In The Beginning by Ala Nunu

We Were Here Pranav Bhasin

We Were Here by Pranav Bhasin

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Features

Short of the Week celebrates shorts, naturally, but we also want short filmmakers to be able to afford their rent! So we always wish them the best if and when they transition to features and are delighted when they debut full-length films on the festival circuit. Getting a spot on the SXSW lineup is no small feat, so while the entirety of the lineup makes our watchlist, we will first and foremost catch the films of our alums. 13 projects on the feature side of the program were directed by members of the S/W family, across the Narrative Feature Competition, both Narrative and Documentary Spotlights, 24 Beats, Midnighter, and Festival Favorite categories.

  • Basic by Chelsea Devantez
    S/W Films:
    Basic
    Synopsis:
    After Gloria and Nick break up, Gloria takes us through Nick’s dating history, untangling his web of ex-girlfriends through details she can find online. But when she discovers Kaylinn, the hottest, most basic ex-girlfriend to ever exist, Gloria not only loses herself, she loses control of the story she’s been telling. Basic is a comedy that blends the magical realism of jealous paranoia with the magic of falling in love.
    Section: Narrative Spotlight

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Downbeat by Danny Madden

  • First They Came for My College by Patrick Bresnan
    S/W Films: The Rabbit Hunt, Skip Day
    Synopsis: When the Governor of Florida transforms a beloved public honors college as part of a political coup, students and professors confront a new reality: their campus is ground zero in a growing nationwide assault on academic freedom.
    Section: Documentary Spotlight

  • Hokum by Damian McCarthy
    S/W Films: He Dies at the End
    Synopsis: When novelist Ohm Bauman retreats to a remote inn to scatter his parents’ ashes, he is consumed by tales of a witch haunting the honeymoon suite. Disturbing visions and a shocking disappearance force him to confront dark corners of his past.
    Section: Midnighter
  • Imposters by Caleb J Phillips
    S/W Films: Other Side of the Box, Play Me
    Synopsis: After a couple’s baby boy is taken, the desperate mother learns of a way to bring him back. However, her husband begins to suspect that what she returned with isn’t their son.
    Section: Midnighter

Imposters by Caleb J Phillips

Imposters by Caleb J Phillips

  • Manhood by Daniel Lombroso
    S/W Films: American Scar
    Synopsis: Manhood follows Dallas businessman Bill Moore as he sets out to make penis enlargement as commonplace as Botox. Along the way, an OnlyFans star and a father of five put their bodies – and their insecurities – on the line.
    Section: Documentary Spotlight
  • Mile End Kicks by Chandler Levack
    S/W Films:
    We Forgot to Break Up
    Synopsis: Grace Pine, a driven though easily distracted 23-year-old. She leaves her quirky parents’ home for a shared apartment found on Craigslist to devote herself to writing the next great book in the 33 1/3 album exploration series. Hers will be on the iconic Alanis Morissette opus Jagged Little Pill. Loft parties introduce Grace to two paramours. Unfortunately, they are members of the same rock band, Bone Patrol. And instead of sequestering herself away to complete her draft, she uses her music industry know-how to get in with the band as their publicist. Through wine-fuelled poetry readings and other ill-advised choices, Grace is in the trenches of self-discovery.
    Section: 24 Beats
  • One Another by Amber Love
    S/W Films: Strikers
    Synopsis: Sometimes it takes the end of something to know what is really at stake. Joe, Giorgia, and Lorri are all grappling with the possible end of an intimate friendship at vastly different stages of life: a cross-country move, a mental health crisis, and a shift into empty-nesting have forced them each to reevaluate the support they need from those closest to them. Chronicling three different friendships over the course of three years, “One Another” brings together verite with a wealth of personal archives to intertwine their journeys as they search for what it really means for us to care for each other. The result is a story of change, heartache, and connection in this ode to platonic love.
    Section: Documentary Spotlight
Wishful Thinking by Graham Parkes

Wishful Thinking by Graham Parkes

  • Stages by Ryan Booth
    S/W Films: Five Star, The Heights
    Synopsis: It’s make-or-break time for Ben Garza as he embarks on his solo first tour after the collapse of his band. By his side are Rita, his former tour manager, stepping away from her stable life to help him, and Parker, a remaining bandmate who joins Ben as a utility player. However, Rita also secures Jessie Ramos as the opening act, a rising star whose sudden surge in popularity will completely destabilize Ben. Throughout this musical odyssey, Ben will face characters on the road who challenge his ideas of success, relevance, and purpose. Some encounters offer hope; others deepen his doubt. By the tour’s end, Ben must decide whether to keep chasing the life he once had—or chart a new path forward.
    Section: 24 Beats
  • The AI Doc: Or How I Became an Apocaloptimist by Daniel Roher, Charlie Tyrell
    S/W Films (Charlie Tyrell): My Dead Dad’s Porno Tapes, I Thought I Told You to Shut Up
    Synopsis: A father-to-be tries to figure out what is happening with the AI insanity, exploring the existential dangers and stunning promise of this technology that humanity has created.
    Section: Festival Favorite

  • The Saviors by Kevin Hamedani
    S/W Films:
    In Her Place
    Synopsis: Sean and Kim Harrison are a suburban couple about to divorce. By renting their guest house to a quiet Middle Eastern brother and sister, Amir and Jahan Razi, they find a perfect solution: raise money to fix and sell their house, then separate. But when bizarre occurrences begin to add up – mysterious lights, missing animals, glimpses of unexplainable tech – in the days before the President’s upcoming visit to town, their guests’ strange behavior starts to seem suspicious and potentially dangerous. As Sean and Kim investigate their new tenants, they rediscover the emotional connection they once shared. But reconciliation may come at a significant cost in this timely and provocative thriller.
    Section: Narrative Spotlight
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Tiger

Muscogee artist Dana Tiger shares her life story – the ups and downs, her career, her family and their iconic apparel company – with exceptional honesty and inspiring resilience. In Tiger, director Loren Waters paints an incredibly compelling portrait of this remarkable artist, poignantly immersing us in Dana’s perspective of the world around her, and revealing how art has served as a healing practice in her family.

“The biggest inspiration behind Tiger was Dana Tiger herself”, Waters candidly confessed. While that is true for most artist portrait documentaries, Waters explained that the film was “really rooted in speaking to her character and really trying to create a painterly image with her, but also a portrait”. Dana’s voice feels present throughout all the directorial choices in the film. From her unwavering positivity to the artistic legacy of her family, the film feels incredibly personal and invites the audience into her world with a rare sense of intimacy.

“This film is a tribute to Dana’s life and her family’s incredible journey”

Waters gives Dana a voice, allowing her to share her own story in her own words. Her resilience and energy is infused in the visuals and pacing of the film, with DP Robert L. Hunter framing her in a way that makes Tiger feel like a homage to her and her work. This approach also creates a space for Dana to share her challenges and successes with agency, making the film all the more empowering. Eva Dubovoy’s editing and Amanda Moy’s sound design further enhance the empowering feeling of the film, adding to a rhythm that creates an effective emotional journey. 

“This film is a tribute to Dana’s life and her family’s incredible journey. It seeks to honor not only their legacy of artistic innovation but also their resilience in the face of adversity”, Waters shared. Despite the grief and adversity captured, Tiger also show the hope radiating from Dana in every second of the short. Her presence is not only inspiring but drives the film in a deeply engaging and captivating way. Waters crafts a work that feels celebratory while carrying an undeniable emotional depth that takes the audience by surprise and makes the watching experience so powerful.

After its World Premiere at the 2025 edition of Sundance, Tiger made its way around the festival circuit with notable stops at SXSW, deadCenter, Seattle, Aspen and the Palm Springs ShortFest. It also picked up multiple awards along the way, and was eligible for consideration at the 2026 Oscars. Waters is currently working on a short narrative film called A Map to the Next World.

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A Beat to Rest

A drummer is confronted with the reality that age is beginning to catch up with him, gradually affecting his ability to play and forcing him to accept the decline of his career. Drawing from personal experience and a deep connection to music, writer/director Dan Silver crafts a narrative that speaks to the universal experience of confronting the passage of time. Sensitive and emotionally resonant, this slice-of-life drama carries a quietly immersive quality.

“Artists so often associate their entire identities with their work, and to lose that due to age, is genuinely heartbreaking”

“Drumming has always been an integral part of my life”, Silver shared when we asked him what inspired the film. Two of his mentors were his grandfather, to whom the film is dedicated, and famous musician Luther Rix. The filmmaker reflects that his own journey of growing up and sharpening his drumming skills mirrored the experience of watching his two mentors growing older, noting that “the physicality of being a drummer certainly took its toll on both of them”. Witnessing that decline, he explains, prompted much introspection about time and how it can affect and restrict a passion. 

By interweaving the themes of age and passion, Silver taps into a complex identity crisis. “Artists so often associate their entire identities with their work, and to lose that due to age, is genuinely heartbreaking”, he notes – an idea that sits at the core of the film. Despite the specificities of the situation, there is an undeniable universality in what the protagonist of A Beat to Rest goes through. With Silver’s lens painting an emotional portrait of this character with subtlety and nuance, drawing us in effortlessly. The authenticity of the writing truly grounds the film and makes it so effective.

Shot on film, it is not surprising that DP Kevin Johnson gives the images a texture that complements the narrative perfectly. It also brings a melancholy and nostalgia to the visual language that enhances the depth of the story. Silver also challenges himself, embracing long takes and giving the audience the room to process events alongside the main character. While the editing – by Silver himself – gives A Beat to Rest having a pace that echoes the main character’s state of mind, echoing the fact that he is slowing down.

A Beat to Rest Short Film Dan Silver

Luther Rix – the inspiration behind the narrative – also stars in the film

Given the subject matter, sound and music play a crucial role. Silver composed the music with Alexandra Funes and they never fall into the trap of having the score be too heavy-handed with a reliant on drums. Instead, it is carefully composed to embody the presence of the music in the protagonist’s mind and how his perception of it evolves throughout the film. 

At the centre of the film is a deeply affecting performance from Luther Rix himself. Silver had shared the script with him to get some feedback, and he ultimately took on the lead role. The relevance of the material made up for his lack of experience in front of a camera, as he brings an impressive rawness to both the character and the emotional turmoil he goes through.

A Beat to Rest is having its World Premiere today on Short of the Week and Silver is already working on a new short film titled Her Painted Gaze, while also developing the feature adaptation of his previous short film Benign, which explores living with a mysterious chronic illness while navigating the chaos of the US healthcare system.

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