Margarethe 89 was a bolt out of the blue during the 2023 festival season. Its mature spy-thriller plot line and grounded, historical realism felt like a novel pairing for a stylish, adult-focused animation, making the film an instant splash at spots like Director’s Fortnight, Annecy, and Curtas Vila do Conde. Animation is often pigeon-holed as a medium for the fantastic—a way to represent the unreal via strange worlds and creatures or represent interiority through dreams and visions, but Margarethe 89 instead utilizes the control inherent in animation to recreate for viewers the stifling surveillance state of the East German Stasi, to wonderfully paranoid and claustrophobic effect.

Directed by Lucas Malbrun, based on a script co-written with his frequent collaborator, Marie Larrivé, the filmmaker was born in Munich in 1990, and grew up in a reunited Germany where “strange revelations about this vanished country were omnipresent.” Inspired by the regime’s tactic of “Zersetzung” or “dissolution,” he sought to transpose the story of Gretchen from Goethe’s Faust to a new context. In an interview with Vimeo Staff Picks for the short’s online premiere, he notes that, “Gretchen’s love for Faust is based on a misunderstanding: he comes across as a young and righteous man, but is in fact an old man in pact with the devil…exploring the figure of the manipulative male, himself under the influence of third party…was compelling to me.”

Heinrich is that manipulative male, but Malbrun sees him as a victim of the regime, too. The film intriguingly begins on a surreal note with a parade where, instead of figures from pop culture – Snoopy, or Mickey, and the like – Heinrich witnesses a giant floating bust of Karl Marx. Malbrun is emphasizing the totalizing nature of ideology and how indoctrination begins very young. The film’s visual look reinforces this concept of arrested development, deploying bright colors in the images, added to the film by the use of normal, school-standard felt-tip pens.

Revolution is currently in the air in our media, as the best TV show of recent memory served as an epic chronicle of a nascent resistance movement, while the recently crowned Best Picture winner is about what we build once revolutionary fires burn out. The tragedy of Margarethe 89 is a nice complement to this moment, and shows how animation can be a strength within mainstream genres and storytelling modes. I’ve often noted that period pieces, despite their popularity in features and television, are tough for short films to execute. Margarethe 89, which evokes the popular German series Deutschland 83 via its title, feeds audience appetites for this sort of mainstream genre, with the level of sophistication and style they are accustomed to. It’s another big swing for the French production company, Eddy, which, via pieces like this, Larrivé and Malbrun’s prior film Noir-Soleil, or 2018 S/W selection, Le Mans 1955, is leading the way in showing how animation can tackle genres associated with live-action in sober, but artistically progressive fashion.

Time/Place capsule

My shots of Delhi in 2018.

CSAT journalism!

Karl Bode, via Gary Marcus: “CEO said a thing!” Karl: “‘CEO said a thing!’ journalism involves parroting the claims of a business leader or executive with absolutely no context, correction, or challenge whatsoever, no matter how elaborate the delusion.” His examples—from Altman, Musk, Zuckerberg—are spot-on. Reminds me of why no major tech magazine ever hired me. (Mainly, I didn’t want to do vendor sports coverage.)

Look toward your nearest pole

Spaceweather: Might have auroras tonight.

Before the Fall

Pop was a Republican in the same way he was a fisherman, a carpenter, a Brooklyn Dodgers (and later a Mets) fan, and a Ford man. As a kid, I thought of myself the same way. Republicans stood for fiscal prudence, limited government, personal freedom and responsibility, stuff like that. But then I went to a Quaker college and became a pacifist who marched for civil rights and against the Vietnam War. Later, as a journalist, I thought it was best to register as an independent, which I’ve been ever since.

But I have never lost touch with Pop’s sympathies, especially around personal freedom. I am also sure that, were he alive today (he died in 1979), he would hate what Trump has done to the Grand Old Party, to conservative norms, to the whole world.

So Pop came to mind this morning when I read what Wired says about the many ways the Trumpist GOP is fucking with (small d) democratic norms, and democracy itself. I hope as many perps as possible get voted out next November. And I say that as a partisan for democracy, not for the Democratic Party. We need conservatism, but not this kind.

It's not too late

Come join us for this at 4 pm Eastern today.

Also on the privacy front

One thinks of Thomson Reuters as a source of good information on issues (Thomson) and news (Reuters). That's the brand. Alas, it's also a source of information about you and me to ICE, Palantir, and others. That's what The Minnesota Star-Tribune reported back on March 3rd, and 404 Media does again today.

And so do all the others, no?

Will Lockett: 

Sam Altman just went on record saying intelligence **_will soon be sold on a meter, “like electricity or water.”
_**If you don’t understand what he just said, let me tell you.
He is not building a chat interface. He is building the grid for human cognition. And he intends to charge you for your own relevance.
They stole all this data from us, the people. Our life’s work, our creativity, our art. They devoured the open internet and blew through every copyright law on Earth.
And now they want to “sell it back to us” in the form of a utility?!

Only in America

Cory Doctorow explains how ICE in airports "hanging around like a bad smell and being totally useless" is a warm-up for their armed and masked presence at every polling place in November. He has concrete suggestions for stopping that, which he addresses to Democrats. Wise Republicans should be on board, too.